Old Music Theory

Theory of the Great Composers

18.5 Duration of Chords Relative to the Number of Parts

As a general principle, we must acknowledge the ear has difficulty grasping a large number of different chords in rapid succession. This principle becomes more true as the number of real parts increases.

Thus, two part harmony allows for frequent change and short duration of chords. But in four part harmony and more, chords require a sufficiently long duration to give its essential notes enough time to resonate together enough to freely establish their acoustic vibrations.

As the harmonic texture becomes more complicated and dense, its more prone to confusion and as a result, doesn’t allow frequent and quick chord changes.

BOOK I: Chords

Introduction

Preliminary Notions — Basic Concepts

Part I. Consonant Chords

1. Triads
2. Realization of Harmony
3. Tonality of Chords
4. Chord Progressions
5. Chord Modifications, Placement, and Duration
6. Figured Bass
7. Triad Inversions
8. Phrases, Period, and Form
9. Cadences
10. Modulation
11. Harmonic Marches
Supplementary Chapter for Consonant Chords

Part II. Dissonant Chords

13. Dissonant Chords
14. Seventh Chords
15. Ninth Chords
16. Alterations
17. Altered Chords

Supplementary Chapter

Appendix

BOOK II: Accidental Notes

Part I. First Class Accidental Notes

20. Delays