Old Music Theory

Theory of the Great Composers

14.0 Introduction to Seventh Chords

By examining the various seventh chords from stacking thirds on each degree of the two modes (see the following table), there are seven types buy only four are true seventh chords based on the principles of the previous chapter.

These principles are not applicable to the seventh chords of the 1st, 3rd, and 7th degree of the minor mode. The seventh chord on the 1st degree of the minor mode is impracticable and is only classified in the part dealing with accidental notes. The 3rd and 7th degree chords of the minor mode have previously been outlined as unusual. Thus, these chords have been crossed out in the table.

Table of seventh chords in the two modes.

Note: The 3rd and 7th degree chords in the minor mode are used in harmony, but they rarely present themselves with the character of their degree. Their origin is different. The 3rd degree chord will be discussed in altered chords. As for the 7th degree, its derived from the chord of the minor ninth without the root.

Of the seven different species, those placed on the 1st, 3rd, and 7th degree of the minor mode are inadmissible. The seventh chord on the 1st degree of the minor mode is impracticable, and the chord of the 3rd and 7th are unusual.

BOOK I: Chords

Introduction

Preliminary Notions — Basic Concepts

Part I. Consonant Chords

1. Triads
2. Realization of Harmony
3. Tonality of Chords
4. Chord Progressions
5. Chord Modifications, Placement, and Duration
6. Figured Bass
7. Triad Inversions
8. Phrases, Period, and Form
9. Cadences
10. Modulation
11. Harmonic Marches
Supplementary Chapter for Consonant Chords

Part II. Dissonant Chords

13. Dissonant Chords
14. Seventh Chords
15. Ninth Chords
16. Alterations
17. Altered Chords

Supplementary Chapter

Appendix

BOOK II: Accidental Notes

Part I. First Class Accidental Notes

20. Delays