Old Music Theory

Theory of the Great Composers

3.1 Relative Tonal Influence of Chords

A perfect chord (major or minor) heard in isolation is immediately accepted by the ears as the tonic chord. But a succession of different chords based on their relationships determine the tonal sensation. This sensation is only finished when the ear grasps the tonic chord prepared by the sequence.

Guidelines

  1. Preferably begin a piece with the tonic chord due to the immediate tonal impression of the first chord.
  2. A succession of different chords is satisfactory only when it results in a precise tonal impression.
  3. The tonic must be the final chord of any piece of music.

BOOK I: Chords

Introduction

Preliminary Notions — Basic Concepts

Part I. Consonant Chords

1. Triads
2. Realization of Harmony
3. Tonality of Chords
4. Chord Progressions
5. Chord Modifications, Placement, and Duration
6. Figured Bass
7. Triad Inversions
8. Phrases, Period, and Form
9. Cadences
10. Modulation
11. Harmonic Marches
Supplementary Chapter for Consonant Chords

Part II. Dissonant Chords

13. Dissonant Chords
14. Seventh Chords
15. Ninth Chords
16. Alterations
17. Altered Chords

Supplementary Chapter

Appendix

BOOK II: Accidental Notes

Part I. First Class Accidental Notes

20. Delays